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In a mimetic approach to that of the great documentarian, Dubosc delivers notes and fragments of their meetings between 1991 and 1992 in New York. In his apartment, Mekas lends himself, with poetry, to the game of the filmer-filmed. Numerous excerpts from his films are inserted into the montage.
January 1, 1992
In a mimetic approach to that of the great documentarian, Dubosc delivers notes and fragments of their meetings between 1991 and 1992 in New York. In his apartment, Mekas lends himself, with poetry, to the game of the filmer-filmed. Numerous excerpts from his films are inserted into the montage.