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This avant-garde, associative collage equates the system’s relationship to Filipino citizens as a marriage. But instead of a wedding full of majestic gestures, we witness a tyrannical system led by a conductor-like figure representing colonial domination and a military regime. The work, which was created under German cinematographer Christoph Janetzko's direction, borrows on archived records from such classic Filipino documentary filmmakers as Nick Deocampo and Ricky Orellana.
November 2, 1990 · 10m
This avant-garde, associative collage equates the system’s relationship to Filipino citizens as a marriage. But instead of a wedding full of majestic gestures, we witness a tyrannical system led by a conductor-like figure representing colonial domination and a military regime. The work, which was created under German cinematographer Christoph Janetzko's direction, borrows on archived records from such classic Filipino documentary filmmakers as Nick Deocampo and Ricky Orellana.