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How can cinema engage with complicity in crimes against humanity, extreme violence and state terror without conniving in it? De Facto finds answers to this question via two actors, a precisely compiled collage of texts and a deliberately reduced setting.

January 16, 2023 · 2h 10m
How can cinema engage with complicity in crimes against humanity, extreme violence and state terror without conniving in it? De Facto finds answers to this question via two actors, a precisely compiled collage of texts and a deliberately reduced setting.