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Oguchi Yoko belongs to that special category of film makers for whom life, work, documentary and fiction are basically one and the same thing. She is her film, her films are her. There is one significant theme that keeps returning, her masochistic tendencies. Here she returns to a relationship with someone who deceived her. A true story, of course.
January 1, 2008 · 20m
Oguchi Yoko belongs to that special category of film makers for whom life, work, documentary and fiction are basically one and the same thing. She is her film, her films are her. There is one significant theme that keeps returning, her masochistic tendencies. Here she returns to a relationship with someone who deceived her. A true story, of course.