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Doble Vista begins where the relationship between writer-videographer Javier and Lola, his object of romance, meets its end. The film explores a metafictional treatment taking its influences from Peter Wollen’s definition of CounterCinema as best exemplified by the films of Jean-Luc Godard.
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Doble Vista
July 20, 2007
Doble Vista begins where the relationship between writer-videographer Javier and Lola, his object of romance, meets its end. The film explores a metafictional treatment taking its influences from Peter Wollen’s definition of CounterCinema as best exemplified by the films of Jean-Luc Godard.
