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In Jean Luc Godard's film ‘Vivre sa vie’, Elena Córdoba, choreographer and dancer, heard a short dialogue that spoke of the nature of chickens and their soul. This text gave rise to the idea of animating the body of a quail ready to be cooked and, following Godard, to search for the soul of this posthumous dancer.
July 1, 2010
In Jean Luc Godard's film ‘Vivre sa vie’, Elena Córdoba, choreographer and dancer, heard a short dialogue that spoke of the nature of chickens and their soul. This text gave rise to the idea of animating the body of a quail ready to be cooked and, following Godard, to search for the soul of this posthumous dancer.