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Here, the camera goes into a dance, accelerates, becomes ornamental. This is not to catch something in a quiant dynamic composition but to realize itself as part of action.
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Sketches for Mozart(2006)
Наброски для Моцарта
January 1, 2006 · 30m
Here, the camera goes into a dance, accelerates, becomes ornamental. This is not to catch something in a quiant dynamic composition but to realize itself as part of action.
