all in one place.
Log what you watch. Rate your favorites. See what friends are into.
Log what you watch. Rate your favorites. See what friends are into.
Director
Where to Watch
Log what you watch. Rate your favorites. See what friends are into.


Twelve years after making the experimental black-and-white 16mm film, Alchemy of the Word, I ran the film through a prototype digital video synthesizer called a Chroma-Chron, and added a soundtrack by the East Village band, Liquid, Liquid and the German electronic music composer, Holgar Czukay. The result is a pulsing, meditational, almost tribal film containing lurid colors and dense, finger paint-like qualities. In a sense, the video is closer to what I’d intended when I made the original black-and-white film and follows the same Rimbaud-esque disordering of the senses.

January 1, 1987 · 17m
Twelve years after making the experimental black-and-white 16mm film, Alchemy of the Word, I ran the film through a prototype digital video synthesizer called a Chroma-Chron, and added a soundtrack by the East Village band, Liquid, Liquid and the German electronic music composer, Holgar Czukay. The result is a pulsing, meditational, almost tribal film containing lurid colors and dense, finger paint-like qualities. In a sense, the video is closer to what I’d intended when I made the original black-and-white film and follows the same Rimbaud-esque disordering of the senses.