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All of the rejected material from MAYA DEREN’s simplest and purest film offers the student of cinema and those interested in MAYA DEREN a vivid lesson in how she constructed a film. When shown together with a completed film it provides a model for economy in editing.
January 1, 1945 · 16m
All of the rejected material from MAYA DEREN’s simplest and purest film offers the student of cinema and those interested in MAYA DEREN a vivid lesson in how she constructed a film. When shown together with a completed film it provides a model for economy in editing.