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“Animation, masks,” the 12-minute 29-second film that is the entirety of Jordan Wolfson’s New York gallery debut, has the hallmarks of a classic. It rejuvenates appropriation art through the incisive use of digital animation, achieving an intensity that rivets the ear and the eye while perturbing the mind.
February 14, 2012 · 13m
“Animation, masks,” the 12-minute 29-second film that is the entirety of Jordan Wolfson’s New York gallery debut, has the hallmarks of a classic. It rejuvenates appropriation art through the incisive use of digital animation, achieving an intensity that rivets the ear and the eye while perturbing the mind.