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A structuralist self‑portrait that cycles repeated frames of Schillinger’s own body and face through generational processes (film to video back to film), using slow-motion and flickering grain to evoke and deconstruct the archetypal femme fatale image and female desire on her own terms.
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Fatale Femme(1985)
February 18, 1985 · 19m
A structuralist self‑portrait that cycles repeated frames of Schillinger’s own body and face through generational processes (film to video back to film), using slow-motion and flickering grain to evoke and deconstruct the archetypal femme fatale image and female desire on her own terms.
