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Nature, cut short.
Ed Atkins’ Death Mask 3 takes stock-like visions of sea and stone and undercuts their grandeur with jolts of noise, cuts, and filters. Sublime images collapse into pure “image-ness,” a study of interruption and the refusal of illusion.

January 1, 2011 · 35m
Nature, cut short.
Ed Atkins’ Death Mask 3 takes stock-like visions of sea and stone and undercuts their grandeur with jolts of noise, cuts, and filters. Sublime images collapse into pure “image-ness,” a study of interruption and the refusal of illusion.