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The camera takes in the Patagonian pastures, then the faces in an old warehouse, and transparent photos of Patagonian scenes. Everything is filtered by an amber light. (Narcisa Hirsch Filmoteca)
November 16, 1977 · 10m
The camera takes in the Patagonian pastures, then the faces in an old warehouse, and transparent photos of Patagonian scenes. Everything is filtered by an amber light. (Narcisa Hirsch Filmoteca)