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"Not going to the woods and sitting by a stream, but coming into the dark of Cinema for meditating on nature. Not meditating on Mother Nature and her parts, but on Mother Cinema and her forms."–D.G. "a concerto for the kind of water which is so ordinary that normally one forgets to look at it and which is here filmed with astonishing attention." – Pierre Job, Liberation Magazine (Paris)
January 1, 1978 · 29m
"Not going to the woods and sitting by a stream, but coming into the dark of Cinema for meditating on nature. Not meditating on Mother Nature and her parts, but on Mother Cinema and her forms."–D.G. "a concerto for the kind of water which is so ordinary that normally one forgets to look at it and which is here filmed with astonishing attention." – Pierre Job, Liberation Magazine (Paris)