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Rafael Hastings superimposes several versions of the face of his friend, the musician and percussionist Manongo Mujica, showing the multiplicity of images that can derive from the recording of a movement from the same point towards the four cardinal points (East to West and North to South, respectively) and the musician's face becomes a kind of "fifth cardinal point".
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Peruvian(1978)
January 1, 1978 · 2m
Rafael Hastings superimposes several versions of the face of his friend, the musician and percussionist Manongo Mujica, showing the multiplicity of images that can derive from the recording of a movement from the same point towards the four cardinal points (East to West and North to South, respectively) and the musician's face becomes a kind of "fifth cardinal point".
