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The time within a film’s frame generates a sense of reality through its synchronization with the viewer’s perception. The moment this synchronization is disrupted, the image moves to the foreground, and the viewer becomes aware of themselves as an external observer. Beyond the film (a thin membrane), there is something that cannot be reached, even by extending a hand.
January 1, 1988 · 5m
The time within a film’s frame generates a sense of reality through its synchronization with the viewer’s perception. The moment this synchronization is disrupted, the image moves to the foreground, and the viewer becomes aware of themselves as an external observer. Beyond the film (a thin membrane), there is something that cannot be reached, even by extending a hand.