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Liv Ferracchiati has chosen Chekhov’s *Platonov* to explore the mechanism that links intuition, writing and life within an artist. “It is worth viewing Platonov with a degree of leniency,” she explains, “because in his outbursts, his miseries, his fears and his inconsolable sorrows, we recognise our own.”
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La tragedia è finita, Platonov(2021)
January 1, 2021 · 1h 52m
Liv Ferracchiati has chosen Chekhov’s *Platonov* to explore the mechanism that links intuition, writing and life within an artist. “It is worth viewing Platonov with a degree of leniency,” she explains, “because in his outbursts, his miseries, his fears and his inconsolable sorrows, we recognise our own.”
