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Jeff Keen had a chance encounter with a collection of old 78 speed records at a Brighton flea market and used it as an opportunity to create a surrealist film (naming it after the poetry collection by André Breton). A requiem for B movies and the marginalised popular side of cinematic history.
January 1, 1978 · 42m
Jeff Keen had a chance encounter with a collection of old 78 speed records at a Brighton flea market and used it as an opportunity to create a surrealist film (naming it after the poetry collection by André Breton). A requiem for B movies and the marginalised popular side of cinematic history.