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Rejecting all propagandistic or narrative convention, Ghazi combined documentary and abstract sequences with a series of discontinuous plot lines to organize a stinging attack on the bourgeois decadence of Beirut's political milieu.
مئة وجه ليوم واحد
January 2, 1972 · 1h 10m
Rejecting all propagandistic or narrative convention, Ghazi combined documentary and abstract sequences with a series of discontinuous plot lines to organize a stinging attack on the bourgeois decadence of Beirut's political milieu.