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The film’s opening shot presents us with a naked ass, adorned only with a bit of confetti and two 3x4 photographs placed side by side. Other images soon appear in rapid succession, with the image of a contracting anus standing out among them. It is a radical, experimental film that uses scatology to question cinematic identification.
March 28, 1969 · 6m
The film’s opening shot presents us with a naked ass, adorned only with a bit of confetti and two 3x4 photographs placed side by side. Other images soon appear in rapid succession, with the image of a contracting anus standing out among them. It is a radical, experimental film that uses scatology to question cinematic identification.