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By testing the limits of identification with the camera’s point of view, Delphi Falls cycles through multiple subjectivities. The film misuses more traditional narrative conventions - the suggestion of a story, the anchoring of actors as protagonists - to have the viewer constantly questioning who or what they are, and where they are located in the film’s world.

March 25, 2017 · 20m
By testing the limits of identification with the camera’s point of view, Delphi Falls cycles through multiple subjectivities. The film misuses more traditional narrative conventions - the suggestion of a story, the anchoring of actors as protagonists - to have the viewer constantly questioning who or what they are, and where they are located in the film’s world.