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Various geometric lines are put out of their figurative context into a set of multiple oppositions, all articulated with respect to the edge of the frame. It was built as a self-contained, intentionally short-lived whole.
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In/Side/Out I(1982)
January 1, 1982 · 2m
Various geometric lines are put out of their figurative context into a set of multiple oppositions, all articulated with respect to the edge of the frame. It was built as a self-contained, intentionally short-lived whole.
