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Empty landscapes from Korea and Vietnam evoke a tranquil existence in which a monster, an invisible enemy, is felt lurking beyond the frame. 'Scape' is comprised entirely of landscape footage shot by U.S. war cinematographers, depicting an existential environment of rolling hills and descending fog.
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Scape(2018)
January 26, 2018 · 6m
Empty landscapes from Korea and Vietnam evoke a tranquil existence in which a monster, an invisible enemy, is felt lurking beyond the frame. 'Scape' is comprised entirely of landscape footage shot by U.S. war cinematographers, depicting an existential environment of rolling hills and descending fog.
