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Radically deconstructive in its interpretation of a famous Tarkovsky-sequence, Yasinsky reverses the original order of the sequence and blends it with white noise and hand-drawn sequences. She also ties her act of appropriation in with a suicide scene from Bresson and other, more serene images and sounds.
January 25, 2013 · 10m
Radically deconstructive in its interpretation of a famous Tarkovsky-sequence, Yasinsky reverses the original order of the sequence and blends it with white noise and hand-drawn sequences. She also ties her act of appropriation in with a suicide scene from Bresson and other, more serene images and sounds.