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John Weldon dissects the nature of personal space, community, and crime and punishment in this macabre whimsy. Employing the simplest of animation styles to enhance a mock Zen spirituality, Weldon and composer Chris Crilly debate the Old Testament notion of "punishment fitting the crime." A film without words.
January 1, 2003 · 3m
John Weldon dissects the nature of personal space, community, and crime and punishment in this macabre whimsy. Employing the simplest of animation styles to enhance a mock Zen spirituality, Weldon and composer Chris Crilly debate the Old Testament notion of "punishment fitting the crime." A film without words.