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Log what you watch. Rate your favorites. See what friends are into.

Two men making love. The question of the embrace (which encompasses the caress, the look, the kiss, the penetration, the speed of movement, the expression of ecstasy…) give to the film a scenario of examples of editing (disconnection, links, rhythm, interlaced films, alternate editing…). A sometimes figurative logic (make love, to be loving, to enjoy), choreographic (to caress, to interlace, to kiss, to lick, to penetrate), and cinematographic ( to link, to bring together, to move, to embrace…:to mount)
November 17, 2007 · 10m
Two men making love. The question of the embrace (which encompasses the caress, the look, the kiss, the penetration, the speed of movement, the expression of ecstasy…) give to the film a scenario of examples of editing (disconnection, links, rhythm, interlaced films, alternate editing…). A sometimes figurative logic (make love, to be loving, to enjoy), choreographic (to caress, to interlace, to kiss, to lick, to penetrate), and cinematographic ( to link, to bring together, to move, to embrace…:to mount)