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The craft of montage is alive and well in Leventhal’s work. Delicate and harrowing juxtapositions of skinned animals, the tattooed arm of a Holocaust survivor eating bagels in a coffee shop, and neon flowers on a disco floor. In her work emerges something that is extraordinarily immediate, both fresh and painful, hard to watch and yet impossible not to watch. - Genevieve Yue
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Draft 9(2003)
June 4, 2003 · 28m
The craft of montage is alive and well in Leventhal’s work. Delicate and harrowing juxtapositions of skinned animals, the tattooed arm of a Holocaust survivor eating bagels in a coffee shop, and neon flowers on a disco floor. In her work emerges something that is extraordinarily immediate, both fresh and painful, hard to watch and yet impossible not to watch. - Genevieve Yue
