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In 'Vortex', the intense subjectivity of techno-psychedelia converges with the technological gamesmanship of the space race. The subject matter, however, is 'space' and extinction.
January 1, 1972 · 14m
In 'Vortex', the intense subjectivity of techno-psychedelia converges with the technological gamesmanship of the space race. The subject matter, however, is 'space' and extinction.