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Gleyzer’s first color film was his final collaboration with his old classmate Jorge Prelorán, who preferred a less polemical approach to documenting poverty. QUILINO details the Cordoba villagers’ reliance on the railroad that brings them customers from the cities, and the looming likelihood that the route will be shut down.
January 1, 1966 · 16m
Gleyzer’s first color film was his final collaboration with his old classmate Jorge Prelorán, who preferred a less polemical approach to documenting poverty. QUILINO details the Cordoba villagers’ reliance on the railroad that brings them customers from the cities, and the looming likelihood that the route will be shut down.