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Shot using a custom-built 35mm camera, Mike Gibisser’s film pushes familiar spaces into abstraction in a Michael Snow-esque experiment that bends cinematic space and time.
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Slow Volumes(2019)
September 6, 2019 · 5m
Shot using a custom-built 35mm camera, Mike Gibisser’s film pushes familiar spaces into abstraction in a Michael Snow-esque experiment that bends cinematic space and time.
