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A home-processed, handmade work, revises Charlie Chaplin’s screen test of his adolescent soon-to-be spouse (Oona O’Neill, the daughter of playwright Eugene O’Neill), broken up by irregular interruptions of black emulsion. Frye creates a continuously shifting exchange of glances between her image and the audience: «A surpassingly intense meditation on viewing and being viewed».
January 1, 2000 · 8m
A home-processed, handmade work, revises Charlie Chaplin’s screen test of his adolescent soon-to-be spouse (Oona O’Neill, the daughter of playwright Eugene O’Neill), broken up by irregular interruptions of black emulsion. Frye creates a continuously shifting exchange of glances between her image and the audience: «A surpassingly intense meditation on viewing and being viewed».