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As the filmmaker metaphorically represents the “romanticism as love towards mineral,” they are gathered through the act of shooting (the physical movements on camera) and they are a collection of images being put in the film; these meanings are to be interpreted by the audience.
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Parlez-moi d'amour(1989)
聞かせてよ愛の言葉を
December 31, 1989 · 4m
As the filmmaker metaphorically represents the “romanticism as love towards mineral,” they are gathered through the act of shooting (the physical movements on camera) and they are a collection of images being put in the film; these meanings are to be interpreted by the audience.
