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From accumulated live footage recorded over a period of three years, this piece weaves itself in and out of experiences of differentiation and distance, closeness and otherness and questions of discourse and construction in the viewing and constitution of the subject.
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Once you’ve shot the gun you can’t stop the bullet.(1988)
January 1, 1988 · 8m
From accumulated live footage recorded over a period of three years, this piece weaves itself in and out of experiences of differentiation and distance, closeness and otherness and questions of discourse and construction in the viewing and constitution of the subject.
