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Separated by four sections, this film embraces the unpolished aesthetic of contact printed black & white film stock and creates a link with basic formal contemporary dance elements. These elements are then subjected to various re-photographic techniques such as reversal color film stock, homemade filters and light manipulations. I used these techniques to transform the dancers' movements from representation to abstraction.
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L'Echo des îles(2012)
January 1, 2012 · 11m
Separated by four sections, this film embraces the unpolished aesthetic of contact printed black & white film stock and creates a link with basic formal contemporary dance elements. These elements are then subjected to various re-photographic techniques such as reversal color film stock, homemade filters and light manipulations. I used these techniques to transform the dancers' movements from representation to abstraction.
