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An improvised and performative self-portrait, Rosa John’s Rote Linie confronts the viewer with an abstracted and symbolically defaced body. Simultaneously intimate and alienating, the subtly confrontational film makes a complex statement on introspection, interiority and, ultimately, the inscrutability of identity.
AustriaGerman
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Rote Linie(2018)
June 9, 2018 · 2m
An improvised and performative self-portrait, Rosa John’s Rote Linie confronts the viewer with an abstracted and symbolically defaced body. Simultaneously intimate and alienating, the subtly confrontational film makes a complex statement on introspection, interiority and, ultimately, the inscrutability of identity.
