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Using only one camera, remote controlled mirrors and an external tilting device, Lacey alternates the perspective of angular planes on his face into that of a woman. Like archetypal statues, the images disintegrate, solidify and slowly re-assemble.
January 1, 1984 · 9m
Using only one camera, remote controlled mirrors and an external tilting device, Lacey alternates the perspective of angular planes on his face into that of a woman. Like archetypal statues, the images disintegrate, solidify and slowly re-assemble.