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“This modest little film completely turned me around. Up until that point I had been using the world to make a film, and what Jerome showed me was that the world itself, or life itself, could be the language of a film. That a film could be inside out, so to speak; that existence itself could become cinema” (Nathaniel Dorsky).
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Fool’s Spring (Two Personal Gifts)(1967)
January 1, 1967 · 7m
“This modest little film completely turned me around. Up until that point I had been using the world to make a film, and what Jerome showed me was that the world itself, or life itself, could be the language of a film. That a film could be inside out, so to speak; that existence itself could become cinema” (Nathaniel Dorsky).
