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Michio Okabe, considered an icon of 1960s Japanese underground cinema, pursued the principle of subjective cinema by combining images that interested him cinematically and roles that he wanted to play himself. In MEMOIR the artist’s fantasies of the late 1970s are featured in a chaotic chain of images. (Go Hirasawa)
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Memoir(1977)
回想録
December 1, 1977 · 22m
Michio Okabe, considered an icon of 1960s Japanese underground cinema, pursued the principle of subjective cinema by combining images that interested him cinematically and roles that he wanted to play himself. In MEMOIR the artist’s fantasies of the late 1970s are featured in a chaotic chain of images. (Go Hirasawa)
