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An old woman from Mong Htet in northern Shan State in Myanmar looks back on a life marked by privation and loss. Her memories are interwoven with images that touch on this conflicted state’s past, present and future. A quietly poetic and evocative work about the rhythms of daily life, mortality and the persistence of memory.
January 1, 2016 · 25m
An old woman from Mong Htet in northern Shan State in Myanmar looks back on a life marked by privation and loss. Her memories are interwoven with images that touch on this conflicted state’s past, present and future. A quietly poetic and evocative work about the rhythms of daily life, mortality and the persistence of memory.