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Using found sound from Disney's 1940-50s nature documentaries, this trilogy creates a mismatch between the digital image and historic/histrionic voiceover. It confounds traditional nature documentaries by adhering to strict time and spatial limits, and ratchets up false expectations about wildlife; continuity editing begins to break down to reveal a necessarily condensed representation of the natural world.
October 1, 2013 · 16m
Using found sound from Disney's 1940-50s nature documentaries, this trilogy creates a mismatch between the digital image and historic/histrionic voiceover. It confounds traditional nature documentaries by adhering to strict time and spatial limits, and ratchets up false expectations about wildlife; continuity editing begins to break down to reveal a necessarily condensed representation of the natural world.