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To a large extent, Cage’s scores do not exist. They consist of instructions on how to create the score: a series of transparencies featuring holes, dots, and lines, layered haphazardly upon one another. Leonardi attempts to follow this general path using a filming technique attentive to visual phenomena.
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Musica in corso(1966)
January 1, 1966 · 14m
To a large extent, Cage’s scores do not exist. They consist of instructions on how to create the score: a series of transparencies featuring holes, dots, and lines, layered haphazardly upon one another. Leonardi attempts to follow this general path using a filming technique attentive to visual phenomena.
