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'Parking' isn't just a film; it's an experiment that proves cinema is still magical. Filmmaker Roger Gual brought together sixteen people with no filmmaking experience with the challenge of creating a film in one month. No script, no locations, no open casting, and no money. With these elements, David Lillo wrote in one week the story of Pedro, a company manager who decides to leave his top-floor office to work as a parking attendant in the basement. The second week was dedicated to pre-production, location scouting, and rehearsals. The filming ultimately took place in seven days and one night. The result is 'Parking': magic and cinema.
May 26, 2007 · 1h 15m
'Parking' isn't just a film; it's an experiment that proves cinema is still magical. Filmmaker Roger Gual brought together sixteen people with no filmmaking experience with the challenge of creating a film in one month. No script, no locations, no open casting, and no money. With these elements, David Lillo wrote in one week the story of Pedro, a company manager who decides to leave his top-floor office to work as a parking attendant in the basement. The second week was dedicated to pre-production, location scouting, and rehearsals. The filming ultimately took place in seven days and one night. The result is 'Parking': magic and cinema.