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Immediately after the screening of CHANTILLY at the MBXA (Paris) on November 8, 1976, we began a new film project, continuing to explore the concomitance of several simultaneous images within the framework of the cinematographic image, but which, freed from the orthogonal grid of the previous film, would be able to move freely in space: they would collide.
January 1, 1976 · 1m
Immediately after the screening of CHANTILLY at the MBXA (Paris) on November 8, 1976, we began a new film project, continuing to explore the concomitance of several simultaneous images within the framework of the cinematographic image, but which, freed from the orthogonal grid of the previous film, would be able to move freely in space: they would collide.