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Music for a missing film (MFMF) concerns memory. Its research questions explore experimental modes of reconstruction and restoration; its conceptual issues mirror empirical questions. Conceptually: how, through an experiment in audio-visual composition, using filmic ruins (El Huerco 1962) and preserved score, could its cultural/political moment re-acquire elements of its lost texture?
March 19, 2009 · 29m
Music for a missing film (MFMF) concerns memory. Its research questions explore experimental modes of reconstruction and restoration; its conceptual issues mirror empirical questions. Conceptually: how, through an experiment in audio-visual composition, using filmic ruins (El Huerco 1962) and preserved score, could its cultural/political moment re-acquire elements of its lost texture?