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Set in Tokyo, Shikoku, Korea, and Tibet, the film uses images of people, landscapes, and even the artist's own relationships as material. While questioning the nature of sexuality, the film traverses the boundaries between fiction and documentary. Various human patterns emerge like a "mandala" from the endless "everyday" captured by Oki's camera.
July 9, 2006 · 1h 23m
Set in Tokyo, Shikoku, Korea, and Tibet, the film uses images of people, landscapes, and even the artist's own relationships as material. While questioning the nature of sexuality, the film traverses the boundaries between fiction and documentary. Various human patterns emerge like a "mandala" from the endless "everyday" captured by Oki's camera.