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DIALOGUES AT THE FACTORY. The 3rd meeting. Sergey Oskolkov
ДИАЛОГИ НА ФАБРИКЕ. Встреча 3-я. Сергей Осколков
2016 · 1h 28m
Directed by Natalya Surkova
The International Foundation for the Support of the Arts "Sergey Oskolkov and his Friends" presents "DIALOGUES AT THE FACTORY" The 3rd meeting. Conversation with the President of the Foundation, composer and pianist, Honored Artist of the Russian Federation, Professor Sergey Oskolkov Sergei Oskolkov, a pianist and composer, President of the International Foundation for the Support of the Arts named after him, talks about the fate of his family, about those with whom he studied and worked with. The history of the Oskolkov family is intertwined with the history of Russia. Brilliant names and undeservedly forgotten heroes of the Resistance in Germany during World War II, childhood memories of villages near Donetsk and the first impressions of a young man. who entered the Leningrad Conservatory, difficulties in joining the Union of Composers and work at the Department of Sound Engineering of St. Petersburg State University.
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DIALOGUES AT THE FACTORY. The 3rd meeting. Sergey Oskolkov
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DIALOGUES AT THE FACTORY. The 3rd meeting. Sergey Oskolkov(2016)
ДИАЛОГИ НА ФАБРИКЕ. Встреча 3-я. Сергей Осколков
December 10, 2016 · 1h 28m
The International Foundation for the Support of the Arts "Sergey Oskolkov and his Friends" presents "DIALOGUES AT THE FACTORY" The 3rd meeting. Conversation with the President of the Foundation, composer and pianist, Honored Artist of the Russian Federation, Professor Sergey Oskolkov Sergei Oskolkov, a pianist and composer, President of the International Foundation for the Support of the Arts named after him, talks about the fate of his family, about those with whom he studied and worked with. The history of the Oskolkov family is intertwined with the history of Russia. Brilliant names and undeservedly forgotten heroes of the Resistance in Germany during World War II, childhood memories of villages near Donetsk and the first impressions of a young man. who entered the Leningrad Conservatory, difficulties in joining the Union of Composers and work at the Department of Sound Engineering of St. Petersburg State University.
