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Rainer Boldt subtly criticises the appropriation of the Rolling Stones by his only superficially progressive coevals in the small town of Itzehoe. After an aerial view of a military training area, he shows an excursion undertaken by a group of young people to a bridge structure outside the town and their subsequent gathering in an attic room. He takes both apart using stop-trick effects.
January 1, 1967 · 10m
Rainer Boldt subtly criticises the appropriation of the Rolling Stones by his only superficially progressive coevals in the small town of Itzehoe. After an aerial view of a military training area, he shows an excursion undertaken by a group of young people to a bridge structure outside the town and their subsequent gathering in an attic room. He takes both apart using stop-trick effects.