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Begins with a long shot of ‘Mama’ Cass Elliot, then zooms rapidly in and out and into close-up. Halfway through, the film settles down into a single close-up; toward the end of the shot, there is a sudden adjustment in the lighting, and Elliot begins to smile.
July 15, 1966 · 4m
Begins with a long shot of ‘Mama’ Cass Elliot, then zooms rapidly in and out and into close-up. Halfway through, the film settles down into a single close-up; toward the end of the shot, there is a sudden adjustment in the lighting, and Elliot begins to smile.