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Shot in Rome and Salzburg’s natural theatre, the film uses cutting and sewing as metaphors for love, separation, and the craft of montage. Cloth being trimmed, hands clapping, and tools striking accompany images of tailoring, architectural restoration, and Beavers himself in a new suit, linking gesture and sound to the editing process.
Austria, Italy, Switzerland, United States of AmericaEnglish
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Runtime
15m
Released
Genres
Countries
Austria, Italy, Switzerland, United States of America
Language
English
Director
Amor(1980)
March 4, 1980 · 15m
Shot in Rome and Salzburg’s natural theatre, the film uses cutting and sewing as metaphors for love, separation, and the craft of montage. Cloth being trimmed, hands clapping, and tools striking accompany images of tailoring, architectural restoration, and Beavers himself in a new suit, linking gesture and sound to the editing process.
