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Thoms dedicated three months and a toolkit of pins, razor blades and scalpels to create the rich, abstract surface texture in Bluto. The result, according to the filmmaker, ‘was something like thunder and rain, interspersed with burps, belches and farts, which added an urgency that seemed to express the anxieties of the time’.
January 1, 1967 · 5m
Thoms dedicated three months and a toolkit of pins, razor blades and scalpels to create the rich, abstract surface texture in Bluto. The result, according to the filmmaker, ‘was something like thunder and rain, interspersed with burps, belches and farts, which added an urgency that seemed to express the anxieties of the time’.